It’s been obscured by decades of reissues that had bonus tracks and non-album b-sides, but this little beauty was the last song on the original version of Rattlesnakes, and at first it felt too low-key to be an album closer, all infinite loop acoustic guitar and accordion synth and — wait a second, is that a drum machine?
No, seriously, is that a drum machine? I mean, Paul Westerberg could get away with it, because “Color Me Impressed” and “Hayday” were on the same record, but that’s some nerve of this intellectual Scottish pretty boy to put one on his record. Doesn’t he understand anything?
Of course he did. Because Lloyd Cole knew that none of that macho bullshit mattered once he started singing: