Articles by Jim Connelly
Jim Connelly has been eye-deep in media of all kinds ever since he can remember, and probably prior to that. Over the past quarter-century he has worked in the radio, film, music, and internet industries, and has been writing about popular culture and technology the entire time. Prior to co-founding Medialoper, Jim's work appeared both online and off in publications such as Wired, The Village Voice, Neumu and Websight Magazine . . .
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Album: Nilsson Schmilsson
Despite being both insanely talented and Beatle-approved, Harry Nilsson also a little bit too off to have a sustained career in the public eye. So while he had a couple-three of Top Ten hits — the Midnight Cowboy-powered “Everybody’s Talking,” the transcendently schlocky “Without You” and the just plain weird “Coconut” — that was pretty much it for him, singles-wise.
Those last two, of course, were from his one big album, 1971’s Nilsson Schmilsson, and while other Nilsson fans love records like Aerial Ballet or Son of Schmilsson or even the utterly chaotic Pussy Cats, I’m going to side with the general public.
Album: The Point!
It’s weird, the things you remember from your childhood. And, of course, it gets hazier all of the time. That said. I absolutely remember watching The Point! as an 8-year-old kid when it was broadcast on ABC in early 1971.
Which seems weird, because, according to the internet, that would have been a school night, so maybe I saw a rerun. Either way, I know I saw The Point!, and totally related to its fable of a kid who didn’t quite fit in trying to make his way in a world that demanded conformity.
Album: 40 Greatest Hits
Time for one of my all-time favorite crackpot theories: Hank Williams was a secret influence on non other that Stephen Patrick Morrissey.
I’ve had this theory since I got Hank Williams 40 Greatest Hits at some point in the 1990s, and realized how many of his lyrics could be Morrissey lyrics, especially “Nobody’s Lonesome For Me.”
Album: 40 Greatest Hits
You don’t need me to tell you that Hank Williams was a titan of American popular music, an ace songwriter whose music was equally influential for rock ‘n’ roll and country.
And in fact, his first big single, “Move it On Over,” is clearly one of those songs that was rock ‘n’ roll before anybody had coined that phrase.
Of course, I heard this song via George Thorogood, via Rock 96 FM, the weird FM station that had arisen in Fresno in the 1970s, and probably didn’t even know it was a Hank Williams song until I found it later on the utterly indispensable 40 Greatest Hits.
Album: Bigger Than Both of Us
So I just took a look at Hall & Oates singles discography, and with the possible exception of “She’s Gone,” “Rich Girl” is pretty much the only one that I even like, much less love.
And I don’t even know if I’m right or wrong here: it kinda seems like Hall & Oates have had a bit of a critical reappraisal in the past few years, and that’s fine by me, but that doesn’t mean that I’m gonna run out and give “Maneater” another try, either.
So like “Boys of Summer,” or “Knock Me Down,” “Rich Girl” is the quintessential Song I Love By An Artist I Don’t Like.