This month, in honor of St. Hallmark’s Valentine’s day, it’s a special theme version of Musical Moments To Die For.
Love songs! Nothing but love songs!
Well, that’s not exactly right: not so much love songs, but songs about love, which is a totally different head. Totally.
However, just because I’ve applied a theme to this month’s post, it isn’t meant to be a definitive list of greatest songs about love or anything like that. It just happens that all of the songs this month are about it, that’s all. Which means, not uncoincidentally, a lot of these songs were huge hit singles or are incredibly familiar or obvious. Which, of course, doesn’t make them any less to die for.
This is the seventh in a series: The first one had 25, the second one had 24, the third one had 23, the fourth one had 22, the fifth one had 21, and the sixth had 20.
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Well, all I can say is that it’s about godsdammed time. Today’s big news out of Macworld — that the iTunes Music Store is going DRM-free AND adding a tiered pricing structure — is good news for everyone involved.
It’s good news for consumers because — from the consumer standpoint — DRM sucks fully, totally and utterly. No matter how it was spun as one of those “for your protection” things, or as “protection for the artist,” it’s been proven time and time again to be a big pain in the ass for consumers. Anytime you purchase an artifact — including a digital file — with eithervsome kind of purely arbitrary use restriction and/or dependency on the large corporation that sold you the artifact to keep it working, that’s potential trouble. Period.
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Posted by Jim Connelly in Amazon, Apple, DRM, Medialoper, Microsoft, Movies, Music, Politics, Television, Unexpected Results, iTunes on Dec 17, 2008
“Ducking the Shoe” is a phrase coined by Daniel Fienberg a couple of days ago on Twitter to mean “escaping even the most minor of punishments for extended errors or misdeeds.”
Well, yeah.
So in the spirit of George W. Bush’s ninja-like ability to duck a shoe thrown at him from point blank range, the following people and things spent 2008 getting away with shit that they really should have been busted on.
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With Chinese Democracy topping 1.5 million in CD sales and downloads in its second week — for a two-week total of 5 million, the best ever — it is now official: the American Music Industry has never been healthier. Even in what is easily the most crippling recession most of us have seen in our lifetimes, people are buying music at a record pace.
How have they done it? According to Frederick Stamphammer, the RIAA’s Vice-President of Digitization — and the man seen by most insiders as the key figure behind the transformation of the music industry into a virtual profit machine — it was by seizing the opportunity afforded by the internet nearly 10 years ago.
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So here’s the deal: The National Music Publisher’s Association has said that they want to increase the royalty rate for each legal download from $0.09 to $0.15 per song. Apple has responded by threatening to shut down iTunes.
I assume that “iTunes” means “iTunes Music Store,” and this has nothing to do the the TV Shows, Films and Applications that also go through iTunes, because, well, that would just be stupid.
I’m not here to argue the merits of what one side will say is only a six cent increase and the other side will say is a 66% increase, nor am I going to point out that this is Apple’s way of saying that if they don’t continue to get exactly what they want, they’re going to take their ball and go home.
But I will say this: if the iTunes Music Store went away tomorrow, it wouldn’t even be a blip on my radar.
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