Medialoper Bebop Episode 29: Into Outer Space With Newt Gingrich

This week, Tim, Jim & Kirk start by discussing the implications of Google’s new privacy policies. (3:40 – 15:10)

Then, we’re all going to be Moon People. All we have to do is elect Newt Gingrich! (15:11 – 22:46).

After that, it’s the latest installment of our “You’re An Idiot” segment. This time, the idiot is Tim, who defends his unholy love for American Idol. (22:47 – 33:45)

Finally, Tim shares what’s in his mix: the new album from Mogwai, that live video of the Flaming Lips with Nels Cline and tUnE-yArDs. (33:46 – 41:00)

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Medialoper Bebop Episode 28: [REDACTED]

Kirk, Tim & Jim have all seen Moneyball, so we figured we’d talk about both the film and the concept. (05:30 – 15:20)

After that, we look at the SOPA protests, including the one on this site. And explain why Lamar Smith, the author (or “author”) of SOPA, is exactly like Snooki. (15:22 – 20:55)

Then, we look at SPIN’s plan to tweet the vast majority of their record reviews. (20:56 – 32:53)

Finally, it’s Kirk’s turn to explain what is in his mix, which has been utterly transformed by iTunes Match: Elmore James, Sharon Jones and Matthew Sweet & Susanna Hoffs. (32:54 – 40:53)

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Medialoper Bebop Episode 27: Brain Decline

In their first podcast of 2012, Jim & Tim wonder if you’ve heard that new Van Halen song. Kirk could care less. But it does lead to a discussion about various band reunions as well as the various incarnations of Van Halen. (4:37 – 11:04)

Then, there is general worry at a British study that says brain decline starts in the mid-40s, not the early 60s. (11:05 – 19:55)

Also, speaking of decline, has any retailer had a swifter decline than Best Buy? Probably, but who can remember? Kirk traces it back to when they got into a public spat with the DuroSport Electronics Corporation. (19:56 – 29:18)

Finally, the latest inductee into the Medialoper Bebop Great Albums Hall of Fame, Horses by Patti Smith. Even though it’s Kirk’s choice, Jim is going to use this opportunity to link to his article about seeing Patti live in 1996, as well as Kassia’s article about her love for Patti Smith. (29:19 – 47:10)

All that, and the new Van Halen song! On Medialoper Bebop Episode 27: Brain Decline.

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Medialoper Bebop Episode 26: Washing Your Mouth Out With SOPA

The week, Kirk, Jim & Tim take a look at the Stop Online Piracy Act, and how its destroy-the-net-to-save-it approach towards internet piracy (or “piracy,”) threatens pretty much the entire internet as we know it.

Thank the gods that the United States House of Representatives is on the case!! (05:19 – 13:29)

Meanwhile, Louis CK (whose name I inexplicably mispronounce) shows exactly how stupid the screams of “piracy is killing our business” are by releasing a DRM-free, consumer-friendly concert. (13:31 – 24:22)

Then, it’s my latest Barry Bonds theory: he’s the Gaius Baltar of MLB! (24:23 – 27:06)

Finally, what’s in my mix? Real Estate, Wild Flag and a great single by Yuck. (27:07 – 30:36)

All that, and pot-smoking raccoons!

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Where The Wild Thing Are: A Report From Lollapalooza 1994

Originally published by Kade Magazine on September 8, 1994

Posting this here because on last week’s podcast we had a discussion about seeing The Smashing Pumpkins during their post-Siamese Dream phase, as well as Kirk’s assertion that the Pumpkins were better than Nirvana. This article touches on all of that, and is also representative of my take on indie/alternative just as it was beginning to peak out, commercially.

. . . So I was standing on line for Lollapalooza ’94 bumping backpacks with thousands of other cool undergound rockers and there’s this really annoying loud guy right in front of me. He’s pontificating about Malcolm McLaren and the Sex Pistols. Only all of his ideas are completely wrong, which pissed me off. After a few minutes, I couldn’t stand it anymore, so I tapped him on the shoulder and went “excuse me, but I’ve been listening to your little lecture on The Pistols and you’ve completely missed the point about McLaren, punk rock and everything.”

He was offended: “Look ‘ere, Mate,” he went with a fake English Accent, “I’ve been writing about Malc for years, and I think I ‘ave a smashing insight on punk.” “Oh yeah,” I went, “well, I just happen to have Malcolm right here, and let’s just find out what he has to say,” and with that I produced Malcolm McLaren, who went to the guy: “Your theories are absolute shite; how you ever got to write about anything is beyond me.” Needless to say, the guy was flabbergasted . . .

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