The week, Kirk, Jim & Tim take a look at the Stop Online Piracy Act, and how its destroy-the-net-to-save-it approach towards internet piracy (or “piracy,”) threatens pretty much the entire internet as we know it.
Thank the gods that the United States House of Representatives is on the case!! (05:19 – 13:29)
Meanwhile, Louis CK (whose name I inexplicably mispronounce) shows exactly how stupid the screams of “piracy is killing our business” are by releasing a DRM-free, consumer-friendly concert. (13:31 – 24:22)
Then, it’s my latest Barry Bonds theory: he’s the Gaius Baltar of MLB! (24:23 – 27:06)
Finally, what’s in my mix? Real Estate, Wild Flag and a great single by Yuck. (27:07 – 30:36)
All that, and pot-smoking raccoons!
This week, Tim, & Jim and a very yelly Kirk tackle the following subjects:
First, in a brand-new segment entitled “Explain it to Kirk,” Tim & Jim explain the Twilight phenomenon to Kirk. (3:35 – 8:50)
Then, it’s reported death of the Compact Disc, which — according to some reports — is going to be abandoned by the major labels as soon as the end of this year. (08:53 – 18:00)
Here’s the chart we’re talking about in the podcast:
Also, iTunes Match has been launched, and we debate whether or not it’s worth shelling out $25.00 a year for. The answer may surprise you, though probably not if you’ve ever listened to our podcast. (18:13 – 26:10)
Once again, Medialoper Bebop Commissioner Gordon Loper harasses us with a phone message. And to spite him, you should probably follow us on Facebook. (26:11 – 28:07)
Finally, it’s a very deep look at a very deep album, Hüsker Dü’s landmark Zen Arcade, as it is inducted into the Medialoper Bebop Great Albums Hall of Fame. (27:22 – 47:58)
With Chinese Democracy topping 1.5 million in CD sales and downloads in its second week — for a two-week total of 5 million, the best ever — it is now official: the American Music Industry has never been healthier. Even in what is easily the most crippling recession most of us have seen in our lifetimes, people are buying music at a record pace.
How have they done it? According to Frederick Stamphammer, the RIAA’s Vice-President of Digitization — and the man seen by most insiders as the key figure behind the transformation of the music industry into a virtual profit machine — it was by seizing the opportunity afforded by the internet nearly 10 years ago.
I admit to being a bit old-fashioned, but in my mind, good customer service rarely involves suing your customers. But, for the past several years, that’s just what the RIAA has done. Nothing creates a warm and fuzzy feeling about an industry faster than threats. Makes you feel wanted.
Illegal downloads are a problem. I maintain — because frankly, the RIAA has offered nothing in the way of hard evidence — that the amount of money being lost is quite a bit less than what the press releases suggest. I believe this simply because every download does not represent a lost sale. In many cases, the songs would have gone unsold, unheard, unnoticed. (more…)
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