Articles Tagged: The Clash

Certain Songs #229: The Clash – “One More Time” / “One More Dub”

The_Clash_-_Sandinista!Album: Sandinista!
Year: 1980.

One of my many theories about Sandinista! is that the reason it was initially so confusing was that it was the first Clash album where the default musical style wasn’t rock, but rather reggae. Not only are there reggae songs on every single side of the record, the last disc amps up the dub in the same way that All Things Must Pass amped up the jams.

So its not surprising that Sandinista! produced what I think is their single greatest reggae song: the monumental “One More Time.”


Certain Songs #226: The Clash – “Stop The World”

13909918514_eea29b4446_bB-side, 1980.

In retrospect it seems insane that the first single — “The Call Up” for those of you keeping score at home — from Sandinista! should also include a non-album B-side that ranks with the top cuts from those sessions.

But, of course, it just goes to how incredibly prolific that The Clash were in 1979-1980 — music was spilling out from them in all directions, and only the limitations of the contemporary formats could hope to contain them. Nowadays, they probably would have been releasing those songs as they wrote them, like Ryan Adams or Kanye West, or just put out a nonstop stream of albums, like Robert Pollard.


Certain Songs #225: The Clash – “Armagideon Time”

1616301 Album: Black Market Clash EP
Year: 1980

Arriving as a 10-inch “Nu-Disk” (no really) stop-gap release in October 1980, and nearly as long as either The Clash or Give ‘Em Enough Rope, the original release of Black Market Clash might be the single weirdest entry in The Clash’s discography.

Side one was mostly punky b-sides, some of which (“City of the Dead,” “The Prisoner” & “Pressure Drop”) nearly made this project, and side two was all spacey Clash reggae, perfect for putting on as I desperately tried to sleep in the weird days of late 1980. The key track on the record was their cover of Willie Williams “Armagideon Time,” which — even more than “Police & Thieves” — they totally reshaped in their image.


Certain Songs #224: The Clash – “Train in Vain”

The_Clash_-_Train_in_Vain_(single)Album: London Calling
Year: 1979.

The first thing you need to know about the infamous “secret hidden track” on London Calling is that it wasn’t all that hidden. Despite not being listed on either the sleeve or the label, it was in all of the publicity, not to mention that you could clearly see there were five songs on side four of London Calling.

To me, the mystery surrounding “Train in Vain” isn’t so much the fact that it was a hidden track, but rather “what kind of music is this even?”


Certain Songs #223: The Clash – “The Card Cheat”

The-Clash-London-Calling-30th-Anniversary-EditionAlbum: London Calling
Year: 1979.

If “Lost in The Supermarket” bugged 17-year-old Jim with its relative lack of the big guitars, then “The Card Cheat” should have had me white rioting.

After all, there’s not an audible guitar to be found on the whole song. Instead, it’s all “M.Jones—-Piano” and the Irish Horns blaring away. There’s even a gods damned trumpet solo!

And yet, “The Card Cheat” always been one of my favorite songs by The Clash.