Articles Tagged: The Office
The week, Kirk, Jim & Tim take a look at the Stop Online Piracy Act, and how its destroy-the-net-to-save-it approach towards internet piracy (or “piracy,”) threatens pretty much the entire internet as we know it.
Thank the gods that the United States House of Representatives is on the case!! (05:19 – 13:29)
Meanwhile, Louis CK (whose name I inexplicably mispronounce) shows exactly how stupid the screams of “piracy is killing our business” are by releasing a DRM-free, consumer-friendly concert. (13:31 – 24:22)
Then, it’s my latest Barry Bonds theory: he’s the Gaius Baltar of MLB! (24:23 – 27:06)
Finally, what’s in my mix? Real Estate, Wild Flag and a great single by Yuck. (27:07 – 30:36)
All that, and pot-smoking raccoons!
Podcast: Play in new window | Download (Duration: 40:43 — 55.9MB)
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Last week, NBC Universal announced that, as part of a cost-cutting measure, that they were going to totally abandon the 8:00pm hour to game shows and reality shows. No more sitcoms or dramas with their pesky and expensive money-wasting frills like “actors” and “scripts.”
In the age of TiVo, YouTube & iTunes it doesn’t really matter when or where a show airs as long as it does air. So the worry here is mostly if this means something like Nobody’s Watching will ever make it to the airwaves. Also, how much longer NBC will be considered a “major” network when the fracking CW ends up carrying more scripted shows just because NBC doesn’t think it can have a sitcom hit at 8:00pm? Bill Cosby must be spinning in his grave.
Anyways, I thought it would be ironic to get some comments from fans of NBC’s low-rated freshman drama Studio 60 on the Sunset Strip — which has spent a lot of time and energy railing against this exact type of situation — but I had a helluva time finding any. And when I did, I was very much surprised by their reaction to this news. They weren’t at all upset. As a matter of fact, they supported NBC’s move.
About a week ago, I received a severance package. It was completely unexpected. You know, I thought I’d been doing a good job, so this blew me out of the water. However, if I keep getting packages like this one, I’m probably not going to be inclined to change my attitude or even work harder.
Yep, I received my boxed set of seasons one and two of The Office. All the deleted scenes, Dwight Schrute’s business card (you can call him), helpful swag. We’ve been training for season three with a vengeance, and it’s been fun catching up with the gang these past weeks.
For all my snark about not needing appointment television, you can bet that I was planted on my couch last night. Last night was the season premiere of The Office, and no way was I going to miss it. The Office, after all, is one of the smartest, funniest, most painful shows on television.
With only a month left before the launch of Season Three of what is probably our consensus favorite show around here, Battlestar Galactica, Sci-Fi.com has launched a series of “webisodes” — internet-only episodes with brand-new content.
Obviously, Battlestar isn’t the first TV show to do this, but the webisodes were actually delayed for a month or so because of controversy over compensation. It’s the latest variation of the “new media meets old contracts” meta-issue we’ve seen played out over and over again.
In this case, the legal issue can be boiled down to this: what is a “webisode” anyways? Is it strictly promotional? Or is it brand-new content for a brand-new medium?
One of the topics that has been discussed a lot at our recent Medialoper staff meetings is character blogs. Character Blogs are written from the point of view of a fictional character in a film, TV show, book or what have you. The internet is rife with these blogs, and when done well, the can be a powerful tool for promotion, backstory, or just to get deeper into a particular character’s head.
Booksquare just did a recent series of pieces looking at this phenomenon in the literary world, so I’m going to focus on a different medium, Television. (All of you who aren’t surprised, raise your hands . . . nobody? right.)