Archives for September 2019

Certain Songs #1644: The Primitives – “The Ostrich”

September 30, 2019 by Jim Connelly

Single, 1964

. . .

Disambiguation: This post is not about the 1980 jangle-pop band known as The Primitives. Please tune in tomorrow for a series of posts about them. No, this post is about something completely different: a fake band that spawned The Velvet Underground.

The year was 1964, and the kids were going crazy for that beat music, and a young songwriter named Lou Reed, who was working for an outfit called Pickwick Records, had an idea for a song. Actually he had three ideas for a song, all of which would serve him well in the future.

Certain Songs #1643: Pretenders – “Legalise Me”

September 29, 2019 by Jim Connelly

Album: Viva El Amor!
Year: 1999

. . .

My favorite song on Viva El Amor! — and one of my favorite Pretenders songs period — was buried on the second half of the album, and featured a ringer on lead guitar.

Kicking off with what sounds like electronic drumbeats before a shouted “1, 2, 3, 4!” brings Martin Chambers in for real, “Legalise Me” (using the British spelling, natch) is pure forward momentum, guitars beeping and buzzing and Chrissie Hynde singing about one of her favorite things, weed.

Certain Songs #1642: Pretenders – “Popstar”

September 27, 2019 by Jim Connelly

Album: Viva El Amor!
Year: 1999

. . .

Finally! After almost 15 years of not quite getting it right, the Pretenders were well and truly a band again — Chrissie Hynde and Martin Chambers now augmented by Adam Seymour on guitar and Andy Hobson on bass — and so they made their best album since Learning to Crawl.

The album, entitled Viva El Amor! after Sire balked at her original title, Biker, featured a number of strong performances, and their cover of the Divinyls “Human” even got some airplay. But by 1999, the guitar rock that Hynde specialized in was beginning to go out of vogue, something she addressed in the scathingly hilarious opening track, “Popstar.”

Certain Songs #1641: Pretenders – “Night in My Veins”

September 26, 2019 by Jim Connelly

Album: Last of the Independents
Year: 1994

. . .

And so it was another decade before Chrissie Hynde released another song I liked as much as her classic early work.

In between, though, was a pretty dour period. Martin Chambers exited before 1986’s Get Close, and I seem to remember sitting on the floor at Cindy’s apartment listening to it and not finding any connection to it whatsoever, though “Don’t Get Me Wrong” was a pretty OK — if overproduced — single.

Certain Songs #1640: Pretenders – “Middle of The Road”

September 25, 2019 by Jim Connelly

Album: Learning to Crawl
Year: 1983

. . .

In the liner notes for his epochal 1977 triple-disc compilation Decade, Neil Young infamously wrote “’Heart of Gold’ put me in the middle of the road. Traveling there soon became a bore so I headed for the ditch. A rougher ride, but I saw more interesting people there.”

This was in reference to what Neil fans have always called the “Ditch Trilogy,” the raggedy, cranky albums that basically killed the commercial momentum he’d built up with Harvest, and as Chrissie Hynde is a long-time Neil Young fan — she was friends with one of the students killed at Kent State, about which he wrote “Ohio” — I can’t help but think that quote was the inspiration for the opening track of 1984’s fine comeback album, Learning to Crawl.

Certain Songs #1639: Pretenders – “Back on the Chain Gang”

September 24, 2019 by Jim Connelly

Album: Learning to Crawl
Year: 1982

SPOILER ALERT: There was no Pretenders III.

And in fact, it’s kind of amazing that there was any new Pretenders music ever again after the events of June, 1982. First, Chrissie Hynde discovered she was pregnant by Ray Davies, then Pete Farndon was kicked out of the band for heroin abuse, and James Honeyman-Scott died of a cocaine overdose. Boom. Boom. Boom.

Certain Songs #1638: Pretenders – “The English Roses”

September 23, 2019 by Jim Connelly

Album: Pretenders II
Year: 1981

. . .

Here’s a thing I didn’t realize when I started writing these posts: just how much of a love-fest they were going to be for James Honeyman-Scott, who died of a cocaine overdose in 1982 and subsequently had such a short oeuvre that he often gets left off the lists of great guitarists.

I mean, Chrissie Hynde was a life-changing force of nature, one of the all-time great singer-songwriters. But holy Jesus fuck, Honeyman-Scott was so fucking tremendous, he helped her tap into her force and then he aided and abetted her in such a way that she’s been able to use what she learned to ride her initial inspiration for four decades now.

Certain Songs #1637: Pretenders – “Pack It Up”

September 19, 2019 by Jim Connelly

Album: Pretenders II
Year: 1981

. . .

As you can imagine, after the twin triumphs of Pretenders and the Extended Play EP, I was totally looking forward to the follow-up. And I was totally disappointed.

Now, by no stretch of the imagination is Pretenders II a bad album, and I loved how the cover hearkened back to the days when the Rolling Stones would glower at you from one of their mid-1980s album covers — though Chrissie Hynde said in her book that she didn’t like it because of the airbrushing both made it look fake and yet still couldn’t hide Pete Farndon’s heroin pallor (not as bad as Brian Jones on the cover of Between The Buttons, but still) — but for a band who had made their name eschewing formula, it seemed, well . . . formulaic.

Certain Songs #1636: Pretenders – “Porcelain”

September 18, 2019 by Jim Connelly

Album: Extended Play EP
Year: 1981

. . .

And then there’s “Porcelain,” maybe the weirdest track that the original incarnation of the Pretenders ever recorded. It’s basically a three-part song, each section distinct from the others, that somehow all fits together.

At first it comes roaring out of the gate, with James Honeyman-Scott stealing and inverting the riff from the Rolling Stones “The Last Time” over a whalloping Martin Chambers drumbeat that occasionally stops to gather breath, then takes off again. This goes on for such a long time that you kinda assume that “Porcelain” is an instrumental like “Space Invader” until it suddenly shifts directions, Chambers downshifting into an almost-reggae rhythm, all kick drum and rim hits, while Pete Farndon plays a hypnotically circular bass riff.

Certain Songs #1635: Pretenders – “Message of Love”

September 17, 2019 by Jim Connelly

Album: Extended Play EP
Year: 1981

. . .

I guess that Sire Records decided to lead off Extended Play with “Message of Love” because it was the most recent single in the U.K., or maybe because it was both the most recent single and a bit more of an uptempo song than “Talk of the Town.” In any event, way back in 1981, “Message of Love” was the first thing I’d heard by Pretenders after the debut, and it pretty much slayed me.

And why not? “Message of Love” is a big glam-rock stomper, featuring a massive tom-laden drum beat from Martin Chambers, and an arrangement that was cooked up in the studio rather than brought to the band by Hynde. And, of course, the lyrics are great.