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Certain Songs

Certain Songs: The Arcade Fire – “No Cars Go”

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Album: Neon Bible.

Year: 2007.

Quite possibly the biggest music this band has ever made and a rip-roaring highlight of their second album, More Songs About Children and Dreams – whoops, I’m sorry, I meant Neon Bible – “No Cars Go” had me singing “Us kids know!” the year I turned 45.

But here’s the thing, where is this place? Is it even a better place? Win Butler isn’t telling. Or at least, he isn’t telling me – far from a kid and getting ever further – what the kids know. Still, if the kids know where this place is, it will probably show up on the internet, like MySpace or Facebook or that new Twitter thingy.

“Between the click of the light and the start of the dream.”

What a second, is it sleep?

God damn it, has even Win Butler now been corrupted by the Sleeping-Industrial Complex?  It was probably that 10.0 that Pitchfork gave Funeral.

Oh well, it doesn’t even matter, cos I’ll follow that drumbeat anywhere, even to sleep, not that I could ever sleep while the Arcade Fire was playing this song.

“No Cars Go” Performed Live at the BBC, 2007

My Certain Songs Playlist on Spotify

Every “Certain Song” Ever

Certain Songs: The Arcade Fire – “Rebellion (Lies)”

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Album: Funeral.

Year: 2004.

Funeral didn’t really change my life the way it did the lives of so many others, but this song is one of the greatest works of art of the 21st century.

I had no idea that I needed a synthesis of the Velvet Underground and Talking Heads as filtered through post-millennium Bruce Springsteen, but the moment that the snare drum and violin take over from the John Cale-ish piano, I’m all in, and the rest is just forward motion as they layer on (and off) the backing vocals, guitars and even handclaps!   

(Reminder of the Handclap Rule: Handlclaps automatically make a good song great and a great song immortal.)

And the words! As a life-long insomniac who resents the 4 or 5 hours of sleep a night he does get – and currently is having his sleep patterns fucked up by the time change – the opening salvo of “Sleeping is giving in / No matter what the time is” resonates in the deepest part of my soul.

Of course, I understand the reasons we need sleep, but gods damn it, I’d rather be awake and experiencing life than asleep and missing it.

There have been so many great songs celebrating sleeping, it was clearly about time we got a transcendent one calling bullshit on the whole Sleeping-Industrial Complex.

Official Video for “Rebellion (Lies)”

“Rebellion (Lies)” Performed Live in Paris, 2007

My Certain Songs Playlist on Spotify

Every “Certain Song” Ever

Certain Songs: The Apples in Stereo – “Silver Chain”

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Album: Tone Soul Evolution.

Year: 1997.

Most of the time, when you say “Beach Boys influenced” to me, I nod my head wisely and assume that whatever you’re talking about is too damn baroque for me. But “Silver Chain” combines the “ba ba ba ba ba” backing vocals and swelling horns on the chorus with a jangly guitar counterpoint that would have never even crossed Brian Wilson’s mind.

Also: unlike the vast majority of songs in The Apples in Stereo’s catalog, “Silver Chain” wasn’t written by Elephant 6 mastermind Robert Schneider, but rather by drummer Hilary Sidney.

I can’t remember who it was, and Google was no help, but I saw The Apples in Stereo open for somebody in the mid-90s (really thinking it was Pavement, but I have no proof) and what I remember most about them was that Hilary Sidney was the most joyous person I’d ever seen on stage. 

There was no doubt whatsoever that she knew that she’d never have more fun doing anything in her life than getting on stage and playing those songs. And I think that this ridiculously gorgeous song captures that joy.

Fan-made video for “Silver Chain”

Certain Songs: Altered Images – “Don’t Talk to Me About Love”

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Album: Bite.

Year: 1983.

If there was one thing you could say for sure about me in 1983, it was that I didn’t like Eurodisco-influenced “new wave” songs. Or non-guitar riff oriented songs in general. And I especially didn’t like those types of songs sung by high-pitched female vocalists who had previously put out an annoying song called “Happy Birthday” that got requested on KFSR every single fucking day.

Except for the fact that I love this song, and always have. Even more so that the Blondie songs that it’s clearly influenced by.

It’s pretty obvious why: that soaring chorus, as full of counterpoint as any R.E.M. song, and carrying a melody that some bearded duded with an acoustic guitar would kill to have written. And yet, there is no doubt that the best place for that killer melody was floating on top of the long drawn-out spaces that the disco rhythm created.

And so, it dragged me towards something I thought I could never possibly like. Awesome! BTW, that’s one of the hallmarks of a universally great song: it should somehow fuck with the listener and/or make them think that anything is possible – including liking a song that on paper they wouldn’t even give a second shake to.

Official Video for “Don’t Talk to Me About Love”

My Certain Songs Playlist on Spotify

Every “Certain Song” Ever

Certain Songs: Airborne Toxic Event – “Sometime Around Midnight”

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Album: Airborne Toxic Event.

Year: 2009.

Written in the second person in order to simultaneously minimize and universalize the pain, my first question when I first heard this song – probably on Kevin & Bean’s morning show on KROQ – was “holy shit, how did this guy get access to my journals from the 1980s?”

So, you’re sitting outside of the Oly Tavern writing “poetry” in your “journal” because you really don’t want to go inside because she’s in there. And she’s totally winning the break-up.

Because it literally seems like something that happened to me just about anytime between, oh, 1986 – 1992 at the Blue or the Oly Tavern or Livingstones or somewhere like that, after which I would write out my feelings about whatever was going on in excruciating detail before falling drunkenly to sleep.

But, of course, you’re going to cos you just have to see her, you just have to see her, you just have to see her, you just have to see her. Idiot.

Of course, what my journal entries lacked, and what this song has, is a guitar sound that reminds me of what would result of David Bowie would have made “Heroes” 10 years later with the Edge on guitar instead of Robert Fripp.

 No one is going to believe your official story: you’re going inside to check out the guitar player. But not because you’re interested in what he’s doing, but because you’re worried that’s why she’s inside as well: to check out the guitar player.

Official Video for “Sometime Around Midnight”

My Certain Songs Playlist on Spotify

Every “Certain Song” Ever

Certain Songs: Al Green – “Take Me to The River”

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Album: Al Green Explores Your Mind.

Year: 1974.

In a weird bit of irony, what is probably Al Green’s best-known song (give or take a “Let’s Stay Together”) was never released as a single.Maybe because the lyrical conflation of a troubled love affair and spiritual redemption was not as straightforward as most of his great singles.

But obviously Al knew it was a major song, because it was covered almost instantly by several artists, including Foghat. Foghat!  While Foghat were one of my mid-70s jams, and the album it was on – Night Shift –  was in my life, probably via Craig, the hard-loving-dude who lived across the street from me, I have no memories if their version whatsoever.

Like most white teenagers of the 1970s, I became aware of the song after Talking Heads flattened it out, slowed it down and weirded it up while somehow also scoring a top 30 hit in the process, and didn’t even bother scaring up Al’s version for years.

Which is on me, as he was one of the major soul artists from my youth whose singles didn’t resonate at the time – unlike Stevie Wonder and War, who always killed me – so I really didn’t start exploring his catalog at all until the ‘90s.

At which point, his original version of “Take Me to The River” jumped out at me as the great song it had always been.

But check out this amazing live version – from “Soul Train” in 1975, that builds from the original song into a polyrhythmic workout that may also have influenced David Byrne …

“Take Me to The River” performed live on Soul Train, 1975

My Certain Songs Playlist on Spotify

Every “Certain Song” Ever

Certain Songs: Aimee Mann – “I Should’ve Known”

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Album: Whatever.

Year: 1993.

When Aimee Mann put out her first solo album, Whatever, in 1993, most people only knew her – if they did at all – as the girl with rat tail in the incredibly cheesy video for ‘til Tuesday’s “Voices Carry,”  one of the most one-hit of all 1980s one-hit wonders.

Even worse, in the music snob community, she was known as one of those women who would write songs about their ex-boyfriends, kind of a proto-Taylor Swift.

Speaking of which, the whole “I wouldn’t want to date her, cos she might write a song about me” put-down is incredibly sexist. I mean, was there ever a narrative telling 15-year-old girls to not have threesomes with Mick Jagger or Red Lobster waitresses not to bang LL Cool J after work because Mick and LL might write songs about those encounters? No. Double fucking standard.

ANYWAYS, the musical point is that the ’til Tuesday records always seemed very weighted down by 1980s production values,  and there didn’t seem like much hope that a solo album by their lead singer would amount to very much. 

It takes about 30 seconds into “I Should’ve Known”  to dispel that theory, and by the time it gets to the chorus, Aimee Mann has fully reinvented herself as a writer of smart, sophisticated, rock-oriented pop songs..

The proof is how the background singers are singing the ellipses in the chorus as she’s listing the various things she should have known … 

I should’ve known (dot dot dot) it was coming down to this.

I should’ve known (dot dot dot) you’d betray me but without the kiss.

I should’ve known (dot dot dot) the kind of set-up it is.

“I Should’ve Known” Performed Live on the Jools Holland Show, 1993.

My Certain Songs Playlist on Spotify

Every “Certain Song” Ever

Certain Songs: Al Green – “I’m A Ram”

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Album: Al Green Gets Next To You.

Year: 1971.

While he’s best-known for singing ballads so silky smooth you could wear them as nighties, Al Green also kicked out classic Stax soul like the early fucksong “I’m A Ram.”

Over a drumbeat so down and dirty it puts the “FU” into funk, Al just wants you to know two things:

  1. He’s a ram.
  2. He’s gonna get next to you.

Unspoken, but implicit inside every beat, guitar lick and vocal utterance: after getting next to you, Al will then proceed to get over you, get under you and get behind you. And that’s just for starters.

I guess you could call “I’m A Ram” a double entendre, but Al clearly has multiple entendres in mind.

Fan-made Video for “I’m a Ram”

My Certain Songs Playlist on Spotify

Every “Certain Song” Ever

Certain Songs: Against Me! – “Dead Friend”

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Album: Transgender Dysphoria Blues.

Year: 2014.

While the news hook of Transgender Dysphoria Blues was, of course, the coming out of Laura Jane Grace, the musical hook was, well, all the hooks she wrote for the record. Among many other things, it was one of the best punk rock albums – as politics and as music – we’ve had in quite some time. 

And the musical and emotional directness of “Dead Friend” sums up everything that makes this record great.

Writing about dead friends is tricky territory: In “People Who Died,” Jim Carroll couldn’t shake his detached ironic delivery, so snarky teens (like me) found dark humor in “Tommy couldn’t fly, so Tommy died!” Meanwhile,  Lou Reed turned the death of his friend Doc Pomus in to an album-long meditation on the process of dying, and Patterson Hood – the best death song writer we have bar none – often celebrates the lives his characters led, so the dying of AIDS Gregory Dean Smalley couldn’t die now, cos he’s “got another show to do.”

The closest analogy we have to this song is really Ice Cube’s utterly devastating “how strong can you be when you see your pops crying,”  from “Dead Homiez,” but he even can’t resist tying his friend’s death into the larger, violence-ridden world in which he’s living.

But Laura Jane Grace is totally direct: “God damn it,” she sings over chord changes that never get old, “I miss my dead friend.”

“Dead Friend” Performed Live, 2014

My Certain Songs Playlist on Spotify

Every “Certain Song” Ever

Certain Songs #3: Aerosmith – “Sick As a Dog”

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Album: Rocks.
Year: 1976

I thought for a second when I started this project whether or not I was going to limit it to one song per artist. And almost instantly, Aerosmith made me realize how stupid and limiting that woulda been.

Cos it’s my long-held belief that Aerosmith’s Rocks is the greatest American hard rock (non-punk division) album of at least the 1970s, and quite possibly ever (give or take a Use Your Illusion II or Superunknown),so there was no way I was going to ignore the track from that record that has always killed me the most.

In the early 1980s, my friend Jim McNew had a theory that this album was a musical cousin to Never Mind The Bollocks, Here’s The Sex Pistols because of the way both albums incorporated distortion into their basic sound, as well as how they would use the coda to take the song that much higher.

And “Sick As A Dog,” with its pleading verses, dirty guitars, insanely catchy chorus and amazing ending – said ending a stone reminder that handclaps always make a good song into a great song and a great song into a classic song – is the epitome of that theory.

More proof: during that coda as their guitars start to shred over said handclaps and Steven Tyler just gives up and says goodnight, either Whitford or Perry tosses in a recontextualized Chuck Berry lick in the same way Steve Jones would kick off Pistols songs with one.

It’s such a great song that even the otherwise abysmal Live Bootleg has a pretty good version.

“Sick As A Dog” on Spotify

My Certain Songs Playlist on Spotify

Every “Certain Song” Ever