Medialoper

Certain Songs #1903: The Replacements – “Attitude”

August 29, 2020 by Jim Connelly

Album: All Shook Down
Year: 1990

A few years ago, on the album Wrecking Ball, Bruce Springsteen put out a song called “Jack of All Trades,” and all I could think of was how surprised it took him that long to write a song with that title. Cos it seemed inevitable that he would write one.

So extra kudos to Paul Westerberg for writing his inevitable song much earlier in his career, as “Attitude” pretty much sums up the ‘Mats in a single line.

Certain Songs #1902: The Replacements – “Sadly Beautiful”

August 28, 2020 by Jim Connelly

Album: All Shook Down
Year: 1990

. . .

You got my soul

In preparation for when I get to the Rolling Stones later in the year, I’m currently re-reading Tony Sanchez’s gossipy, opinionated Up And Down With The Rolling Stones, which chronicles his stint hanging with the band while they were making some of the greatest rock and roll music ever, and given the amazing amounts of coke and smack, it’s amazing that they were able to.

And, of course, there were casualties along the way: Brian Jones, of course, but also Anita Pallenberg and Marianne Faithfull, whom — at the point I’m at — Mick has just left a strung-out wreck.

Certain Songs #1901: The Replacements – “Nobody”

August 27, 2020 by Jim Connelly

Album: All Shook Down
Year: 1990

. . .

Still in love with nobody

“Nobody” just might be the greatest song Paul Westerberg has ever written.

It was most certainly the highlight of All Shook Down, the final studio album that the Replacements would ever release, and as we all know, even that was kinda bullshit.

Certain Songs #1900: The Replacements – “Talent Show (Milwaukee, 1989)”

August 26, 2020 by Jim Connelly

Album: Dead Man’s Pop
Year: 1989

. . .

“Feeling good from the pills we took”

“Talent Show” just might be the greatest song Paul Westerberg has ever written.

Out of all of his “state of the Replacements” missives, it has the most breadth and the most depth, capturing the essence of the cockiness needed to go on that stage and play your songs as well as the insecurity that it all might go to shit.

Certain Songs #1899: The Replacements – “Anywhere is Better Than Here (Milwaukee, 1989)”

August 25, 2020 by Jim Connelly

Album: Dead Man’s Pop
Year: 1989

. . .

You’re life’s a joke so tell me, ain’t it?

Sometimes a live version of a song that you’re lukewarm on can reveal its hidden treasures.

On Don’t Tell a Soul, “Anywhere’s Better Than Here” was a weird beast, a song with a great beginning — that scream! — and a great ending, but not a whole lot in between, as it lurched around without ever settling down.

Maybe that was the mix, maybe it was the performance, as even the Dead Man’s Pop version failed to revive it for me.

Certain Songs #1898: The Replacements – “Date to Church (Matt Wallace Remix)”

August 24, 2020 by Jim Connelly

Album: Dead Man’s Pop
Year: 1989

. . .

Take your honor fast

When “Date to Church” first surfaced as the b-side of “I’ll Be You,” I really didn’t think that much of it.

I believe that we knew that Tom Waits was on it, but outside of the prominent Hammond B-3 — a right and proper sound on a gospel tune — there didn’t seem to that much Waits on it.

Certain Songs #1897: The Replacements – “Asking Me Lies (Matt Wallace Mix)”

August 21, 2020 by Jim Connelly

Album: Dead Man’s Pop
Year: 1989

. . .

The rich are getting richer, and the poor are getting drunk

The third and fourth times I saw The Replacement were a couple of days apart in May, 1989. The fourth time was the first time I ever hit the road to see them: a drive up to a club in Santa Clara called One Step Beyond with Doc, Mike and Nikki, and the ‘Mats were really really great, of course, as a glance at the setlist would show. But otherwise uneventful.

Certain Songs #1896: The Replacements – “Darlin’ One (Matt Wallace Mix)”

August 20, 2020 by Jim Connelly

Album: Dead Man’s Pop
Year: 1989

. . .

Your time has come

“Darlin’ One” was the final track on Don’t Tell a Soul, but for the Dead Man’s Pop remix, Matt Wallace moved it to just after “Achin’ To Be,” and so shall we.

That said, when Don’t Tell a Soul originally came out, I actually liked “Darlin’ One” at the end of the album, even though it forced me to listen to “Rock ‘n’ Roll Ghost,” a song that I’ve never liked, either musically or melodically, an admission I’m no doubt gonna get flagellated for.

Certain Songs #1895: The Replacements – “Achin’ To Be (Matt Wallace Mix)”

August 19, 2020 by Jim Connelly

Album: Dead Man’s Pop
Year: 1989

. . .

What comes out a mystery

I know, this is all very confusing.

Before we got to the Don’t Tell a Soul / Dead Man’s Pop, it was probably relatively easy to understand the order in which I was doing these: chronological by album and within the album, first track to last track. Even worse, after declaring that I definitively like the Dead Man’s Pop mixes better, I immediately launch into the original version of “I’ll Be You.”

And where the hell is “Talent Show?” Is a question someone else might be asking. Asking me lies.

Certain Songs #1894: The Replacements – “I’ll Be You”

August 18, 2020 by Jim Connelly

Album: Don’t Tell a Soul
Year: 1989

. . .

Left a rebel without a clue

So, while like all right-thinking people, I much prefer Matt Wallace’s original mix of Don’t Tell A Soul that didn’t get released for 30 years than the mush-filled job that Chris Lord-Alge did.

With one exception, that is: the single, which was slick enough to get the Replacements on the radio where they’d never been on the radio and yet rough and sloppy enough to sound like a great ‘Mats song, which it well and truly was, from the opening bell, which featured an spidery guitar hook from Slim Dunlap, a chugging beat from Chris Mars and twinkling piano which was noticeable but never dominant, all of which leads into the first verse, Paul’s rhythm guitar leaving space right and left.