Medialoper

Certain Songs #2131: Royal Headache – “Psychotic Episode”

June 21, 2021 by Jim Connelly

Album: Royal Headache
Year: 2011

On their debut album, Australia’s Royal Headache sounded to me like what would happen if the early Jam was fronted by the early Rod Stewart and recorded by Robert Pollard.

The result was one of the best punk rock debuts of the last quarter century, a short (26 minutes) sharp shocking blast of speedy riffs, big hooks and hoarse soul shouting by lead singer Shogun. And while it’s one of those record that takes a few listens to in order to sort out which song is which, it’s all so much fun, it’s worth the effort.

Certain Songs #2130: The Royal Guardsmen – “Snoopy vs. The Red Baron”

June 19, 2021 by Jim Connelly

Album: Snoopy and His Friends
Year: 1966

. . .

My three biggest pop culture jams of my 1960s childhood were the Disney Winnie-the-Pooh records, the Batman TV series and, of course, Peanuts. In the late 1960s, Peanuts was perhaps the biggest things in all of pop culture — absent the Beatles, of course, and even that was probably pretty close — and I just devoured everything I could get my hands on, things like reading and re-reading all of the trade paperbacks they would put out, or seeing A Boy Named Charlie Brown in the theater, and listening to side one of The Royal Guardsmen’s third album, entitled Snoopy and His Friends.

Certain Songs #2129: Roy Orbison – “She’s A Mystery To Me”

June 18, 2021 by Jim Connelly

Album: Mystery Girl
Year: 1989

. . .

Man, life is cruel, ain’t it?

After hitting the very top of the charts with the utterly undeniable “Oh, Pretty Woman!” Roy Orbison would never ever break the U.S. top 20 again in his lifetime. That’s just how fast the pop world changed as the British invaded and bands became ascendent.

Certain Songs #2128: Roy Orbison – “Oh, Pretty Woman”

June 17, 2021 by Jim Connelly

Single, 1964

. . .

Inspired by an off-hand comment Roy Orbison’s co-writer, Bill Dees, made about Oribison’s wife, “Oh, Pretty Woman” is an absolute masterclass in how to pare a song down to the absolute basics. In this case, the basics are a dynamite corkscrew guitar riff, the simplest of drumbeats, and of course, Orbison’s voice, which mostly mitigates the somewhat problematic lyrics.

Certain Songs #2127: Roy Orbison – “Mean Woman Blues”

June 16, 2021 by Jim Connelly

Single, 1963

. . .

With his utterly soaring voice and flare for big arrangements, Roy Orbison was an absolutely key figure in the post-Elvis, pre-Beatles era, and also a key figure in the sub-genre of rock ‘n’ roll made by nerdy looking dudes.

And while — with the exception of the eternal marvel that is tomorrow’s song — he’s probably best known for his ballads, I prefer Orbison the rocker, and nowhere does he rock harder than on his cover of Claude Demetrius’s “Mean Woman Blues,” a bit of proto rockabilly that features a clever turnaround on the lyric.

Certain Songs #2126: Roxy Music – “Oh Yeah (Detroit, 2001)”

June 15, 2021 by Jim Connelly

Album: Live
Year: 2001

Roxy Music broke up after Avalon, Ferry wanting to try the solo career again. While he had some success in the U.K.- – you know what happened in the U.S., of course — the other guys did other things, though drummer Paul Thompson (who had left after Manifesto) played with Concrete Blonde and when their song “Joey” made the top 20, it was the best that any Roxy-associated person (unless you count Eno’s production of U2 or, er, Coldplay) had ever done on the Billboard singles charts.

Oh, that is also if you don’t count that Eddie Jobson was in the original version of the “Owner of A Lonely Heart” video as the keyboard player for Yes, even though he never actually played a note of music with the band. Which is something I just learned doing my half-assed research for this piece.

Certain Songs #2125: Roxy Music – “Dance Away”

June 10, 2021 by Jim Connelly

Album: Manifesto
Year: 1979

. . .

In 1975, after Siren, Roxy Music essentially broke up because Bryan Ferry wanted to concentrate on his solo career. However, because they issued the live Viva! Roxy Music in 1976 and my beloved Greatest Hits album in 1977, when they regrouped in 1979 — the solo career going nowhere (at least in the U.S.) — and put out Manifesto, most folks could be excused for not knowing that they’d been gone at all.

Certain Songs #2124: Roxy Music – “Both Ends Burning”

June 9, 2021 by Jim Connelly

Album: Siren
Year: 1975

. . .

One of Bryan Ferry’s great lyrical talents was taking phrases that were otherwise cliches and making something original out of them: “All I Want Is You,” “The Thrill of It All” are two prime examples, as is the majestic “Both Ends Burning,” the final single from Roxy Music’s early run.

After the initial attention-grabbing sound effects, “Both Ends Burning” explodes from the speakers led by Andy MacKay’s sax and a soaring swirling Eddie Jobson synth part over a straight-up disco groove from bassist John Gustafson and drummer Paul Thompson.

Certain Songs #2123: Roxy Music – “Love is The Drug”

June 8, 2021 by Jim Connelly

Album: Siren
Year: 1975

For their first four albums, one of the contradictions inherent in Roxy Music was the contrast between Bryan Ferry’s incredibly put together style and the crazed anarchy of many of their songs. And given that Roxy Music was Ferry’s band — especially after he canned ol’ sourpuss Brian Eno a couple of years prior — it was inevitable that they drift in his direction. And in retrospect, it’s surprising it took them this long to do it.

“This long” of course, being three years, as while Siren was their fifth album, it was still only three and a half years after Roxy Music. As a contrast when the Arcade Fire went all disco sleek on their fourth album, it was nearly a decade after their debut.

Certain Songs #2122: Roxy Music – “All I Want Is You”

June 7, 2021 by Jim Connelly

Album: Country Life
Year: 1974

. . .

Opening with a massive Phil Manzanera guitar fanfare that sounds like an entire village’s church bells ringing out in celebration, “All I Want Is You” is Roxy Music yet again in big-ass rock mode — every one of their early singles were bangers — and in fact, could almost be dismissed as being formulaic except they were still killing it by finding new variants on that formula.