Elvis Costello

Certain Songs #397: Elvis Costello – “Watching The Detectives”

December 17, 2015 by Jim Connelly

Album: My Aim is True (U.S.)
Year: 1977

While the rest of the world regards My Aim is True as a stellar debut album, to me, it’s really just a warm-up for the glories to come. Even the rockers sound a bit thin to me.

That said, while it’s not on the U.K. version of My Aim Is True, “Watching The Detectives” seems like the first time that Elvis Costello broke free of the “wow, I’m recording an album here” mode and stumbled into something darker and heavier.

And we can thank Steve Nieve for that.

Medialoper Bebop Episode 24: Steal This Podcast

November 30, 2011 by Jim Connelly

This week, Tim, Kirk, & Jim discuss the the following Rolling Stones-permeated topics.

First off, you’d think that a newly-released Rolling Stones live album from the early 70s would be a cause for celebration, but as it is confined to Google’s Android platform, it’s as cause for consternation and the spur for a long, serious discussion about how music exclusivity — whether via artificially high prices or artifically enforced platforms — encourages piracy.

Not only do artists like U2, Nirvana & Bob Dylan end up burying musical treasures in “Super Deluxe” box sets with exorbitant prices, it’s gotten so bad the Elvis Costello wrote a blog post encouraging his fans not to purchase his recent live album until next year. (2:20 – 23:20)

Then, on the heels of a report that she might be pro-life, we do an interview with the iPhone’s built-in personal assistant, Siri, to try and determine what her politics are once and for all. (23:30 – 30:15)

Finally, even though Kirk’s mix is a bit of a mess, he still has time to talk about the new album from Tom Waits, reissues from the Rolling Stones and the entire Linton Kwesi Johnson catalog. (30:16 – 40:30)

Podcast: Play in new window | Download (Duration: 48:35 — 66.8MB)

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21 Musical Moments To Die For

December 19, 2008 by Jim Connelly

You can talk about genres, artists, albums, or even songs, but sometimes what keeps us coming back to music is the discovery of the transcendent musical moment. For me, “the moment” is the part of the song that fully and utterly engages me; the reason that I keep coming back to it.

I’m not necessarily talking about hooks here, because the purpose of a hook is the draw you into a song. I’m really talking more about traps: the part of a song that that keeps you there.

The is the fifth in a series. The first one had 25, the second one had 24, the third one had 23, the fourth one had 22.

Also: there is a slight — but not total – Christmas theme going on with this one. More of an arc, really. And a couple of mini-arcs, too!

Every single moment I’ve listed below kills me single every time I hear it.

Oh, and this isn’t in any kind of order, despite the numbering.