It probably seems counter-intuitive that at some point in 1984, the number one album on College Radio was the 13th solo album by a man who was 20 years older than his target audience. It me. But that was the weird confluence of events that surrounded the brief second cultural ascension of Lou Reed.
It was, of course, infamously signified by the “Hey, don’t settle for walking” Honda scooter commercial, but it manifested itself in other ways, as well: the V.U. and Another View outtakes albums, his participation on the Sun City album and the Conspiracy of Hope tour, appearances in various soundtracks like Perfect to Rock and Rule, and of course, this shameless attempt at manufacturing another massive hit single.