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Exploring iPad Typography With Bibliotype for WordPress

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Bibliotype A few weeks ago, book designer Craig Mod released Bibliotype, an HTML template system that designers can use to explore typography on the iPad.

Bibliotype is a thoughtful approach to designing typography for long-form reading on tablet devices. The template includes support for several viewing distances, portriat and landscape orientations, and a hyphenation library, among other features.

If you’re a book designer looking to experiment with typography on tablet devices, Bibliotype will jump start your design process.

What’s missing from Bibliotype is a way for designers to easily work with real content. If only there was some way to connect Bibliotype to a light-weight, user-friendly, content management system.

Well, now there is. Presenting Bibliotype for WordPress.

As a WordPress theme, Bibliotype becomes a framework for publishing beautifully designed books on the web for consumption on tablets.

Point your iPad here to see the theme in action. Or download BiblioType for WordPress and start designing your own web-based book.

Event Alert:

I’ll be speaking about Open, Webby Book Publishing Systems at tools at O’Reilly Media’s Tools Of Change conference next week in New York City. Registration is still open, but probably not for long. The event sells out every year. If you’re planning on going register today and use the Medialoper code toc11med to save 15%.

eBooks: Going Digital…The Hard Way

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Book SaverWhile the news from CES last week buzzed with updates about the latest Android tablets and stories of self-navigating iPad robots, a new product with the potential to further disrupt the already troubled book business went largely unnoticed.

The ION Book Saver is a new scanning system designed to convert print books into eBooks at a rate of two facing pages per second. It’s fast. It’s cheap. And it has some in the publishing industry wondering if it’s a precursor to a new class of product that will one day enable consumers to digitize their book collections in much the same way they ripped their CD collections.
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Medialoper’s Guide to Unicorn Watching

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Unicorn watching tips Forget the Super Bowl. Tomorrow is The Big Game.

Unless you’ve been hiding under a Blackberry, you’re aware that tomorrow is the day that Apple unveils its highly anticipated new product. After nearly three years of speculation, tomorrow is the day we all get to see…the Unicorn.

Rumors abound about the alleged capabilities of this mythical beast. Some say that it can fly. Others have suggested that it’s invisible. Those same people insist that it’s already here and we just can’t see it yet. There is a rumor floating around the net theorizing that tomorrow morning when Steve Jobs walks onto the stage to introduce us to his new creation, a shiny new Apple tablet will materialize in each of our homes. These invisible unicorns have apparently been hiding in the corner for months, just waiting for the right moment to come out and meet us.

Steve Ballmer will bow down to this supernatural new technology. Pat Robertson will condemn it as satanic. Newt Gingrich will buy three.

As for you and me? Who knows. Whether or not this “revolutionary” new product actually transforms our lives in the ways that we’ve been lead to believe it might, depends on any number of things.

Here are a few of the things I’ll be looking for to determine whether the Apple tablet turns out to be a unicorn or a duck-billed platypus. [Read more…] about Medialoper’s Guide to Unicorn Watching

Book Piracy Is on the Decline

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Finally, some good news for publishers.

All year we’ve been hearing predictions that the book business is on its death bed — about to be completely transformed by ebooks, then eaten alive by pirates. Yet, despite recent reports to the contrary it turns out that book piracy is on the decline.

Based on piracy loss estimates published by the International Intellectual Property Alliance and generated by the Association of American Publishers, book piracy dropped over 13% between 2005 and 2007 (the most recent year that data is available).

The numbers look like this:
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TOC Frankfurt Wrap-Up

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In some ways, TOC Frankfurt was like every other TOC conference. The event brought together the usual assortment of publishing professionals, entrepreneurs, and thought leaders to discuss the future of an industry in the midst of a massive transformation. Over the past three years TOC has emerged as the go to source for publishers looking to expose themselves to innovative ideas and the cutting edge technology that is shaping the future of the book business.

TOC Frankfurt differed from previous TOC conferences in a few notable ways, however. First, the event lasted just a single day, rather than the usual three. As a result, attendees got what might best be described as a concentrated dose of the TOC vision. Then there was the fact that the conference was being held in Europe for the first time. The Frankfurt conference had a distinctly more international feel to it than previous TOCs. And finally, there was the post-conference media coverage, some of which was less than flattering.

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Five Questions with Novelist Seth Harwood

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Jack Wakes Up For novelist Seth Harwood the path from the Iowa Writers Workshop to the New York Times Book Review runs straight through the world of digital media.

While honing his writing skills in more traditional literary venues, Seth struggled to find success. It was only after he began serializing his novel as a podcast that Seth found an audience.

Seth is part of a new breed of authors who have embraced new media as a tool to reinvigorate the novel in an era when consumers are awash in a sea of digital entertainment options. Others, including Scott Sigler and J.C. Hutchins have taken a similar routes, proving that Seth’s podcasting success is no fluke.

Seth’s debut novel Jack Wakes Up is released today. Seth took time out from his book launch schedule to answer a few questions about Jack Wakes Up, podcasting, and the impact that new media has had on his approach to writing. [Read more…] about Five Questions with Novelist Seth Harwood

Traditional Publishers Crash (and Burn at) SXSW

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I’ve seen a fair number of remarkable events at SXSW over the years, but I’ve never seen anything quite like what unfolded at the New Think for Old Publishers panel yesterday afternoon.

On paper, the panel must have seemed like a great idea. The publishing industry is in transition with the rise of digital reading and devices like the Kindle, iPhone, and applications like Stanza. SXSW has always been about convergence and the evolution of old media in the digital age. Why not bring a group of book publishers together to address the digerati at SXSW about the changing nature of their industry?

As the twitter stream reveals, the panel never quite lived up to its promise. Now that the dust has cleared, I feel compelled to describe what happened at the New Think panel. From a remote distance it wasn’t necessarily clear what prompted the audience uprising.

This wasn’t a case of digital natives waging a mindless war against old media. On the contrary, at the beginning of the session a show of hands revealed a high density of heavy readers in the audience. Throughout the session audience members demonstrated a profound love for books. Combine that with the fact that the panel featured the ever popular Clay Shirky, and the publishers started the session with what might best be described as a sympathetic audience.

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Watch Publishing Transform at TOC 09

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Not so long ago, conventional wisdom was that the publishing industry was somehow immune to many of the developments that have transformed every other form of media over the past few years. Book publishers held a deep and abiding faith in the power of the printed volume to withstand the insurgency of digital media.

That faith has fractured a bit over the past year as publishers have watched the surprising success of the Kindle and the emergence of the iPhone as a viable digital reading device.

Suddenly publishers are racing to come to terms with their digital future. In recent months we’ve seen publishers delivering iPhone apps, experiment with DRM-free content, and offering free downloads.

If any of this sounds familiar, it’s because we’ve seen this exact same transformation take place in nearly every other form of media. From past history we know that once the digital media ball starts rolling, the status quo can change very rapidly. It is, no doubt, an exciting time to watch the publishing industry, but a scary time to actually be part of that industry — unless, of course, you’re open to new business models and a complete reinvention of everything you do.

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How Not To Sell Books

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So, yeah, it’s Monday morning and I’m checking headlines, and I see an interesting article from Publisher’s Weekly about the Penguin group: turns out they’re pushing the direct sales. Now, me being me, I’m immediately interested. This is the first time a major publishers has made direct-to-consumer sales — no local bookstores, no Amazon — a high-profile goal.

Or not.

Let me explain, first by quoting from the PW article:

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